April 1, 2014No Comments

New DJ Mix

Been meaning to get round to this for ages. I bought a Traktor Z1 mixer a few months ago and have been very occasionally dipping into Traktor 2 Pro. I also went on an ambitious vinyl recording spree, digitising the best of my records most of which are from 1994 - 1998.

However it was only when trying to put together a mix of old and new techno that I realised quite how much the genre has moved on in the past ten years. The 90s tunes are great but don't generally flow in with the new stuff (well, except for the timeless Basic Channel obviously).

I'll do a separate retro mix at some point in the next few months, which I imagine will be very different.

Anyway, I think this turned out OK given how rusty I am. There's a couple of clumsy transitions where the outgoing track ran out slightly too soon (haven't quite got the hang of looping in Traktor yet) and like a fool I managed to record it with the recorder's input gain at -12dB so I had to boost the finished recording by the same amount to compensate. Had it been recorded through an analogue mixer that would have killed it with noise.

March 22, 20142 Comments

I still buy music

About once every month I'll browse around on Boomkat or Bleep and spend some money on music; often tracks I've tagged through Shazam. If I can't find something there, or direct from the label's website I'll fall back to Google Play and then eventually iTunes (though its catalogue is less likely to contain what I'm after).

I just spent £23-odd, for which I got 34 tracks totalling 5 hours and 3 minutes of playback. That's the result of weeks and weeks of artists’ time and effort for under a quid a track. And I get DRM-free 320kbps MP3s or FLAC files to keep.

Does anyone else still pay for music? Presumably it's not just me otherwise it wouldn't be for sale. But I'm in a dwindling minority.

Spotify has its value, but it (famously) pays most independent artists a pittance for plays. If you enjoy listening to music I urge you to keep paying for it! And go direct where you can to cut out middlemen. Long gone are the days of paying £17.99 for an album at HMV.

I'd guess that at least a third of the artists I listen to have day jobs to support their music careers. The least I can do is buy them a beer.

December 23, 2013No Comments

Real Scenes: New York

April 2013: Interesting short documentary about the dance music scene in Brooklyn, and how gentrification threatens to stamp it out.

Via RA

December 18, 2013No Comments

“Kept chasing that night…”

Erol Alkan - "A Hold on Love" (Official Music Video)

The video for Erol Alkan's track 'A Hold on Love' is wonderful. Looks like it was all shot in and around Kendal in Cumbria.

via @iaintait

February 18, 2013No Comments

301

I'm biassed because he's my brother, but this solo piano sketch by Al Scott is rather lovely:

January 15, 2013No Comments

On HMV

HMV has today announced it is to appoint an administrator.

I jokingly tweeted earlier that:

While it's true that those stickers were pretty satisfying to peel off (or is that just me?), it's a bit unfair to claim that they were the retailer's only redeeming feature.

The staff, bless them, were more often than not proper music-heads who knew their stuff. And (back in the late 90s at least) HMV stores tended to have a surprisingly decent selection of 12" techno and electronica singles from international independent labels (this being the focus of my musical interest).

But I've not bought music from HMV for a long time, for all the obvious reasons. They've always been overpriced. This 2004 post from Clive Murray sums it up pretty well. And that was before the days of SoundCloud and Spotify.

Yes, it’s unfair that Amazon have been able to sidestep paying UK corporation tax whilst simultaneously hobbling the high street. This is a massive factor. But the writing has been on the wall for HMV ever since the launch of Napster. And their token efforts to "go digital" in recent years have been too little too late.

I feel sorry for all those great employees, but have no sympathy for the company itself.

January 11, 2013No Comments

Intensely good set by Adam Beyer

[soundcloud url="http://api.soundcloud.com/tracks/72068921" params="" width=" 100%" height="166" iframe="true"]

#oof

September 16, 2011No Comments

Motor City Soul

Lush tune by Lepumpernic.

June 24, 2011No Comments

Chris Cunningham / Gil Scott Heron

A few of us at Pirata recently went to see Chris Cunningham’s live audio and video show at the Roundhouse. For the most part it was predictably challenging and entertainingly unsettling, and all in all a brilliant show.

However the highlight for me was the above video / remix of the late Gil Scott Heron’s New York Is Killing Me which was (like the rest of the show) projected across three screens and formed the intro to the show. Don't watch it here, pop over to YouTube and watch it full screen in HD.

June 24, 2011No Comments

Amon Tobin’s ISAM show

I friend of mine recently went to see this live. I gather it was pretty amazing.

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